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In order to further tailor their performances of 17th and 18th century repertory, The Practitioners of Musick use fine crafted instruments by the most esteemed masters after antique originals
Harpsichords
- Richard A. Cox - Pennington, New Jersey, after an instrument by Thomas Hitchcock - London , circa 1720
- Willard Martin - Bethlehem, Pennsylvania, after Marin Mersenne - France, circa 1635
Clavichord
- Carl Fudge - Boston, Massachusetts, after an anonymous 17th Century German master
Virginals
- Alec Hodsdon - Lavenham, Suffolk, England, 1959
Recorders
Based on repertory , a wide range of instruments from which to choose.
The Practitioners own recorders that are outstanding copies by modern masters [see list below] based on rigorous study and analysis of original instruments by such makers as Bressan; Stanesby; Boekhout; Haka; Terton; Debey; Bizey; Rippert and Denner, found both in private and museum collections worldwide.
- Friedrich von Huene - USA
- Hans Coolsma - The Netherlands
- Jacqueline Sorel - The Netherlands
- Paul van der Poel - The Netherlands
- Beha & Gibbons - USA
- Henri Gohin - France
- Hans Conrad Fehr - Switzerland
- Thomas Prescott - USA
- Bernhard Junghanel - Germany
- Kanji & Sorel - The Netherlands
- James Scott - USA
- Jean-Luc Boudreau - Canada
- Ralf Netsch - Germany
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